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Most of this route was
originally a railway line built in the 1850's to carry limestone,
coal
and iron and the sculptures tend to reflect that heritage. Groundwork West
Cumbria were responsible for commissioning many of the artworks of the route
as well as the cycle track itself which is an integral part of the West Cumbria
cycle way.
Use the links below
to view the other artwoks pages
Whitehaven to Sheriffs Gate | Consett
to Sunderland | Gateshead
to Tynemouth
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by Chris Brammall
located at the start in Whitehaven Harbour
This artwork is a representation
of the coastlines of West Cumbria and the North East of England
with the 'C2C' lettering cut out. Situated in the slipway at
the harbour in Whitehaven, it is partly submerged at some states
of the tide. The sculpture is a very imposing sight and not
many C2C'ers pass up the opportunity of starting their trip
with a posed photo here. Also in the harbour you must checkout
the stunning 'fish' bike stands designed by Heidi Schrami as
well as the pavement mosaics in and around the harbour designed
by Maggie Howarth.
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by David Mayre
A series of 30 intricate
posts which use a variety of images to reflect the industrial
history of this network of former mineral carrying railway
lines - as well as pointing the way for travellers along
the C2C and the whole of the West Cumbria Cycle network
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by Partnership Art
mile marker 2
Located on the route
out of Whitehaven and at the centre of a junction of the
cycle track. This artwork uses a glacial erratic boulder
atop a bed of stone set on a plinth to mirror the way that
the fells link to the sea.
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by Richard Farrington
A series of 12 steel sculptures which were
a collaboration between the artist and children from local
schools. The children's images were copied into sculptures
to commemorate their sense of place and win their ownership
of the project
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by John Grimshaw and John Naylor
mile marker 7
Four massive seats based on iron waybeams
taken from adjacent railway bridges and set at the same centres
as if the railway had changed direction at its closure. A snippet
of synchronicity for you, the artists are John Grimshaw of
Sustrans fame and John Naylor of Groundwork West Cumbria, both
of which organisations collaborated on the C2C in this area.
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by Anthony Holloway
mile marker 9.7
The artist (in collaboration
with Lamplugh School) designed this oak carved entrance gate
to reflect the
exposed nature of the site with its open views of the fells.
The entrance arch mirrors the windswept trees on the skyline.
nb: this artwork has now been moved for some obscure reason
and in its place is a gate ( just a plain, everyday boring
gate) whilst the actual artwork itself is is now located
some five hundred yards from the end of the railway track,
towards the village of Rowrah. Please note that you can no
longer ride through it.
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by Robert Drake
mile marker 9.5
Flowing curves and entrances
match the desired lines of walkers and cyclists. Bands of slate
and limestone
echo the complex underlying geology.
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by Alan Dawson
milemarker 5
The steel Phoenix commemorates
the haematite iron industry with its sulphur-free ore. The
phoenix is also
a symbol for the village of Cleator Moor. The bridge represents
miners shovels and the lead in fences contain representations
of miners picks.
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